키이스트
Financials
Valuation Metrics
키이스트's Market Cap is ₩260B. At end of 2025 it was ₩632B. Ranked #2181 of 2,421 in KR market (top 90%), #1421 of 1,640 on KOSDAQ (top 87%), #103 of 122 in Media & Entertainment (top 84%) by Market Cap.
Investment Metrics(as of 2026-09-18)
| Metric | Value | Rank |
|---|---|---|
| Size | ||
| Market Cap | 25.99B KRW | KR#2,181/2,421 Sec#103/122 |
| Revenue | 27.51B KRW | KR#2,057/2,421 Sec#104/122 |
| Net Income | -2.99B KRW | KR—/2,421 Sec—/122 |
| Total Assets | 58.35B KRW | KR#2,123/2,421 Sec#101/122 |
| Net Assets | 39.19B KRW | KR#2,063/2,421 Sec#98/122 |
| Employees | 36 | KR#2,162/2,421 Sec#106/122 |
| Value | ||
| P/B | 0.66x | KR#1,071/2,421 Sec#54/122 |
| P/S | 0.94x | KR#1,351/2,421 Sec#62/122 |
| FCF Yield | -29.44% | KR—/2,421 Sec—/122 |
| Profitability | ||
| ROE | -7.64% | KR#1,884/2,421 Sec#85/122 |
| ROA | -5.13% | KR#1,938/2,421 Sec#88/122 |
| Op. Margin | -13.21% | KR#2,045/2,421 Sec#97/122 |
| Revenue Growth | -34.16% | KR#2,240/2,421 Sec#116/122 |
| Financial Health | ||
| Debt Ratio | 48.90% | KR#947/2,421 Sec#58/122 |
| Total Debt | 0 KRW | KR—/2,421 Sec—/122 |
| FCF | -7.65B KRW | KR#1,620/2,421 Sec#95/122 |
| Cash | 11.17B KRW | KR#1,634/2,421 Sec#87/122 |
| Current Ratio | 1.63x | KR#1,096/2,421 Sec#68/122 |
| Performance | ||
| 1Y Return | -71.20% | KR#2,308/2,421 Sec#111/122 |
| 1M Return | 2.32% | KR#993/2,421 Sec#43/122 |
| From 52W High | -78.92% | KR#2,332/2,421 Sec#113/122 |
| 1Y MDD | -81.18% | KR#2,317/2,421 Sec#115/122 |
| Trading | ||
| Volume | 9,373 shares | KR#1,939/2,421 Sec#101/122 |
| Trading Value | 12.3M KRW | KR#2,245/2,421 Sec#117/122 |
| Foreign Own. | 8.51% | KR#535/2,421 Sec#32/122 |
| Per Share | ||
| EPS | -152 KRW | KR—/2,421 Sec—/122 |
| BPS | 1,994 KRW | KR#2,069/2,421 Sec#96/122 |
Company Info
Keyeast, established in 1996 and listed on KOSDAQ in 2003, is a comprehensive entertainment company headquartered in Gangnam-gu, Seoul. It creates synergy through creator-centric video content planning and production (including dramas and films), IP utilization rights business, and artist management. Adapting to the rapidly evolving content distribution landscape driven by advanced communication speeds and SNS expansion, the company strengthens its market position by adopting genre-specific content planning, production, and optimized distribution methods.